

Stella McCartney Fall/Winter 2009 vs. £1 decoration
This coat is multifunctional. It may replace the christmas tree. And it also perfectly serves as new year's decoration.
/HORST
20091231
Silver Geegaw Fight
Labels: fall/winter 2009, glitter, kitsch, silver, stella mccartney, the fight, Womenswear
20091230
Assemblage



Alexander McQueen Fall/Winter 2009.
Plastic foil, white cans and traces of red lipstick. I just coincidentally discoverd these incredible details, re-using trash as head pieces. Other 'hats' include car rims and bubble wrap.
/HORST
Labels: alexander mcqueen, details, fall/winter 2009, head piece, lipstick, recycle, sculpture, trash, White, Womenswear
Moral Discernment


Artworks Sam McKinniss
"I want to fall in love with pictures over and over again and expect to receive nothing but heartbreak in return."
/HORST
20091229
Bone Structure
20091228
2009

Maison Martin Margiela Spring/Summer 2009
The end of a decade. The end of an era. A phantom finally disappears.
/HORST
Image credits Style.com
Labels: 00s, 2009, hair, Look, Maison Martin Margiela, retrospective, Spring/Summer 2009, wig, Womenswear
20091226
2007

Prada Fall/Winter 2007
Developing undeniable strength and inevitable impact during the second half of the decade, Prada re-invents fashion's relevance and becomes cultural heritage. An iconic pioneer of its time.
/HORST
Image credits Catwalking
Labels: 00s, 2007, fall/winter 2007, Fur, hat, icon, Look, prada, retrospective, Womenswear
20091225
2006

Gaspard Yurkievich Spring/Summer 2006
2000 - 2009 is the era of homo-eroticism. The fetish of leather, bondage and short shorts. The man remaining an object of lust. Dressed and undressed.
/HORST
Labels: 00s, 2006, Black, chains, Fetish, gaspard yurkievich, gloves, hat, homoerotic, leather, Look, Menswear, retrospective, Spring/Summer 2006
20091224
2005

Raf Simons Fall/Winter 2005
Despite the risk of boring you, there has not been a more suitable collection for the year 2005 than Raf Simons. Worshipped and adored for exaggerated shapes and the variation of proportion.
/HORST
Image credtis GQ.com
Labels: 00s, 2005, coat, exaggeration, fall/winter 2005, Menswear, oversized, proportion, raf simons, retrospective, suit
2004

Preen Spring/Summer 2004
Nudity and sexualization. The revealing of male and female attributes. The strip. Under- as outerwear. Suspenders, tights and bras. Yes, the double-zero decade was sensual.
/HORST
Image credits Catwalking
Labels: 00s, 2004, lingerie, Look, nude, preen, retrospective, sexuality, Spring/Summer 2004, Womenswear
20091223
2003

Helmut Lang Fall/Winter 2003
2003 and one designer should not be missing: Helmut Lang. His strap-cutout-reverse scenarios have conquered my heart and left me with the insatiable lust to compile a wardrobe of iconic Helmut pieces.
/HORST
Labels: 00s, 2003, asymmetry, chaps, deconstruction, fall/winter 2003, helmut lang, icon, Look, Menswear, retrospective, strap, waistcoat
2002

Ann Demeulemeester Fall/Winter 2002
In 2002 it was Ann Demeulemeester's vision that called for a deep-drawn sigh. Blackness that embraces the body like wads of smoke. Moments of exposed flesh and lost virginity.
/HORST
Labels: 00s, 2002, ann demeulemeester, Black, fall/winter 2002, retrospective, transparency, veil, Womenswear
20091222
2001

Yohji Yamamoto Fall/Winter 2001
After endless hours of archive research and maltreated hands, I do feel a bit dizzy but I also decided about the signature look for 2001: Distorted asymmetry by Yohji Yamamoto.
/HORST
Image credits Catwalking
Labels: 00s, 2001, asymmetry, Black, deconstruction, draping, fall/winter 2001, Look, retrospective, sportswear, Womenswear
2000

Boudicca Fall/Winter 2000
I somehow like the idea of decade reviews. I honestly do think the noughties have the potential to stand out against the nineties. Although I am aware that this thesis is facing strongest disagreement. But let me prove to you. Starting with the look of 2000: Boudicca.
/HORST
Image credits Catwalking
Labels: 00s, 2000, bondage, boudicca, construction, leather, Look, retrospective
20091221
Superscript


Comme des Garçons Spring/Summer 2002
Rei Kawakubo and newspaper iconography. Alien-esque mindreading. Futurism in 2002. Makes me remember that I desperately need some John Galliano newspaper briefs.
/HORST
Image credits Catwalking
Squat


Images Encens
With their publication, Sybille Walter and Samuel Drira created a piece of cultural identification and fashion history. It's the aesthetic core of a visually driven conviction that spreads through the imagery of Matthew Ames, Damir Doma and Bruno Pieters.
/HORST
Labels: androgyny, black and white, encens, gender, inspiration, magazine, mask, Photography, recommended reading, smoking
20091220
Fantaghirò






Princess Fantaghirò 1991
Besides the fact that Brigitte Nielsen is starring as black witch, this fairytale series is pure comfort to me. A melancholic childhood memory. I also think I am in love with Romualdo. A pathetic, unattainable love.
/HORST
Labels: brigitte nielsen, childhood, fairytale, Film Library, kitsch, melancholy, movie, reminiscence, roses, series
20091219
Longitude


Akris Spring/Summer 2010
Lately, it is a full-length dress that I find most appealing. In fact, everything full-length is attractive.
/HORST
Labels: akris, Dress, grey, minimalism, shape, Spring/Summer 2010, turtleneck, Womenswear
20091218
20091217
Circular


Hernández Cornet for NICE Design Competition
Re-use, re-cover, re-cycle. Ana Hernández Cornet's contribution to the Danish sustainability project quotes the transformation of fabrics with a circle-shaped shirt and a colour palette that revives the virginity of textiles.
/HORST
20091216
Agglomeration




Prada Fall/Winter 2006



Dries van Noten Fall/Winter 2006
Fall/Winter 2006 undeniably was the season of the kitten. I've been asked where my animalistic fascination derives from. It's the dichotomy of tackiness and timelessness.
/HORST
Image credits Vogue.com
20091215
Nescience
20091214
The Spell



Alexander McQueen Spring/Summer 2009
This collection was quite ingenious. Especially referring to one aspect: the slimming use of colour and construction. In fact, it is one of his strongest collections. Decent and yet impulsive.
/HORST










